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Biomorphic Sculpture, 1970's, Switzerland. Courtesy of Rayon Roskar.

Biomorphic Sculpture, 1970’s, Switzerland.
Courtesy of Rayon Roskar.

Steel Sculpture, 1970's, Switzerland. Courtesy of Lost City Arts.

Steel Sculpture, 1970’s, Switzerland.
Courtesy of Lost City Arts.

 

 

 

 

 

 

 

 

 

 

 

 

 

The pair of sculptures shares the same creative principle in large exploring the form of abstraction. They are also from the same period, 1970’s, and the same region, Geneva, Switzerland.

However, the juxtaposition of the two sculptures reveals a very interesting visual language of opposites; while the Steel Sculpture poses a solid shape piercing the space, refusing any traces of human hand (in a way this is what humans do, removing the trace of hand-made but seeking for a machine-like perfection in the modern world), the Biomorphic sculpture is burgeoning from inside into an organoid shape, the abstract form originating from an observation of nature. The traces of carving proudly but present the hand of creation.

Biomorphic Sculpture (detail), 1970's, Switzerland. Courtesy of Rayon Roskar.

Biomorphic Sculpture (detail), 1970’s, Switzerland.
Courtesy of Rayon Roskar.

 

Interestingly enough, the seemingly aggressive Steel Sculpture embraces the void within whereas its biomorphic counterpart holds solid mass.

In this case of these two sculptures, the antithetical nature and yet the creative principle within in turn ties them into a bigger idea of artistic creation.

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